Reading, Reviewing, and ‘Rithmatic

I’ve been bad about updating this blog with new and exciting news about myself. So here’s some news.

Last week my review of the new Octavia E Butler eBook Unexpected Stories went up at NPR Books. I really enjoyed the book and my only sadness is that there aren’t more new stories to read. Go read the review and then go buy the book.

This week I am back on io9 posting roundups of my favorite short stories. Now it’s weekly instead of monthly, so I can talk about more stories I love.

Now that I’m reviewing for NPR and doing the story thing on io9 folks have been asking me about sending review copies and such. I have a policy! I’ll also post this on my About page, but here it is in case you’re curious:

NPR has pretty strict conflict of interest rules, so if we’re friends or I know you well or if you have published me I can’t review your book or an anthology/collection you’re in or you edited. It’s sadface sadness, I know. I can suggest books to my editor who will then pass them on to a reviewer without conflicts and that is okay. If you do not know me, you can certainly ask if I’d like a review copy of your book/anthology/collection. If I’m interested, I’ll pitch it to my editor. I cannot make the final decision on whether I can review something for NPR, so I may have to say no.

The io9 posts are not strictly reviews and I’m not claiming complete objectivity. The stories I mention are the ones I personally like, and that may include stories by people I know. I pick stories from the magazines (and sometimes anthologies) I read and that mostly includes free online ones. But if you have a print mag, or an eBook version of your zine with extra content, or an anthology you’d like me to read in case I like a story enough to mention it, please do let me know! Me agreeing to read does not guarantee you’ll get a mention, just so you know.

All that business aside, I’m very much enjoying reading more again and highlighting excellent fiction where I can. I’m still looking for a place to write about other media, especially when the Fall TV season starts up again.

Some faces from Sirens 2013

I Spent Two Weeks Attending Two Women-Focused Geek Cons And It Was Pretty Awesome

Some faces from Sirens 2013

I love going to science fiction/fantasy conventions. It’s one of the biggest drains on my wallet throughout the year and I regret nothing. I love talking about SF/F media and literature with other people who love it the way I do.

When I first started attending the WisCon Feminist Science Fiction Convention, it was the only women-centric SF/F I’d heard of. Over the years, I got wind of others and friends encouraged me to attend two in particular: Sirens, an academic conference and retreat on women in fantasy literature, and GeekGirlCon, a convention celebrating women in media, science, and technology. When I found out that these cons took place on consecutive weekends in cities just four hours apart, I knew it was time for a lady geek excursion.

Avoiding the Rocks

I started my female-centric con experience with the Sirens conference, which takes place at the Skamania Lodge in Stevenson, WA. It’s a 40-minute drive from Portland, OR through the Columbia River Gorge. Driving along roads that cut through forests laden with turning leaves and close-clinging clouds that occasionally parted to reveal stunning waterfalls is the perfect way to get into the retreat mindset. By the time we crossed the Bridge of the Gods I knew I was heading to the perfect setting for a weekend of discussing fantasy literature.

Sirens is a very small conference with a narrow focus and only about a hundred women in attendance this year. This intimacy, combined with it being a conference and not a convention, gives Sirens a different vibe than most cons I’ve attended. There’s an emphasis on group discussions (not just panels), meals together, and individual keynotes each day. The narrow focus on academic discussions of women and fantasy literature gets even more specific in the keynotes and sessions that take on the yearly themes: warriors, faeries, monsters, retelling, and, in 2013, reunion.

Another thing affecting the vibe: a nearly complete lack of men. There were only three or four attending, so the conference space was almost exclusively women. (There may have been trans* or non-binary people whose gender I did not know, as well.) This might not seem unusual for a con that boldly announces the high presence of girl cooties up front. And if you’re familiar with academic conferences that focus on women’s issues, this won’t surprise you. It might if, like me, you’re from the world of SF conventions where even the most girl-cootie-filled among them (WisCon, for example) can still attract a decent number of guys.

Each of these elements contributes to the idea of Sirens as a “Safe Space” for women. Over and over conference organizers and attendees emphasized that point, and there is obvious pride in Sirens being the type of gathering where people can disagree yet still sit down to dinner together. Still, there are varying ideas of what makes a space safe.

As a woman of color, I don’t always find spaces created by white women or white feminists to be safe. Same with geeky or fandom spaces. Navigating the con scene means quickly assessing if a space is actually safe for me regardless of the label on the tin. It’s not often that someone sets out to make me uncomfortable or unwelcome at a con. Instead, I’ll encounter an unwitting microagression. Or, a person with no concept of their privilege, let alone how to check it, says or does something upsetting. That wasn’t my experience here.

I ended up pleasantly surprised at the depth of the attendees’ knowledge and interest in fantasy literature that goes beyond the white/white-washed epic tomes so often held up as great examples of the genre. Everyone I met was eager to understand different points of view and experiences of the world beyond their own. Nowhere was this clearer to me than in the Q&A sessions after the guest of honor keynotes by Alaya Dawn Johnson and Guadalupe Garcia McCall. Both women of color gave deeply personal speeches full of intersectional ideas and the understanding and solidarity they received back from the room impressed and bolstered me. This is the kind of space I feel safe in.

Meanwhile, At New York Comic Con

That same weekend my friends back home went to New York Comic Con. Each time I hopped on Twitter or Facebook to see how things were going, I discovered some new instance of harassment. It made me glad I was on the other side of the country.

There had been concerns prior to the con that one or more groups of dudes looking to entertain their fellow dudebros on YouTube might come to NYCC for the express purpose of harassing women there. Between the self-styled Referees of Cosplay who intended to call out women “too fat” to dress up as their favorite characters, the guys kissing women without permission so they could film their reaction, and the horrid SiriusFM-affiliated Man Banter dudes engaging in both sexist and racist harassment, the weekend was chock full of fail.

The good aspects of the con didn’t always balance out the fail for some people, especially women targeted for harassment. The swift action of the NYCC organizers to address the harassment is praise-worthy; it just doesn’t address the underlying problem. Even though Mike Babchik is banned, there are plenty of other men ready to take his place. And these men feel that New York Comic Con is an appropriate venue for their activities.

Thinking about why that might be, and the contrast between my friends’ NYCC experience and my Sirens experience got me thinking about the kind of conventions I attend and why. I only go to NYCC because I live in NYC, and even then only if I get a free press pass. I used to wish I could go to San Diego Comic-Con, but I prioritize my budget toward attending WisCon, World Fantasy, ReaderCon, or DragonCon. I stopped going WorldCon regularly several years ago. I would rather clean toilets than attend either PAX.

All of these cons cater to what I love — though the focus, vibe, and general purpose differ — and are ostensibly safe spaces to be a giant geek. Yet I do not feel that my geek self is welcome or wanted at SDCC, NYCC, PAX, or WorldCon.

Women Are Ambassadors

After San Diego Comic-Con I saw this quote, attributed to Hannibal‘s Bryan Fuller, popping up around Tumblr:

“What was really great about Comic-Con, it shows that the core demographic is young women… It’s all young ladies. Women love genre, they’re more open to genre in a strange way. … Women are the ambassadors.”

This is not new information. It’s also not just anecdotal. When Networked Insights measured social media response and engagement around the media being discussed at SDCC in 2013, women made up the majority. Brett Schenker’s compilation of statistics from Facebook show that 40% of the people who Like comic-related things are women. Facebook’s Doctor Who fandom is mostly female, according to this data. Women make most tech buying decisions, download more movies and TV shows than men, and play more games on certain platforms.

In his book “Comic-Con and the Business of Pop Culture,” Rob Salkowitz points out that “women today are the loudest and most compelling voices in fandom.” Yet the average media, comic, or science fiction convention is generally dismissive of, if not hostile to, the non-cis, het male population.

I could bring up a mountain of examples, but here are three:

SDCC 2011: Batgirl vs. DC Comics

ReaderCon and WorldCon 2012: Renee Walling vs People Who Don’t Want To Be Sexually Harassed

PAX 2013: Dickwolves vs All Common Sense

This crap is flying at women from all quarters: con attendees, con runners, con guests, con sponsors. It’s not surprising that more conventions and conferences now exist to offer respite from the nastiness. Sirens is one approach, GeekGirlCon is another.

Re-Centering The Focus

GeekGirlCon, now in it’s third year, is a more varied convention. It’s similar in style and scope to media and comic cons, though throws the net wider than most by including science, technology, engineering, and math (STEM) alongside literature, games, comics, TV, movies, and more. For such a young con I’m impressed with how ambitious GGC is in terms of providing a space for everything from tabletop gaming to professional networking, all with a focus on women.

That said, GeekGirlCon is a work in progress. The con’s track record on intersectionality is muddy, starting with the first year. A friend of mine warned me off this con because she got a strong vibe that she is not the “right type of geek girl” due to being POC. That was more about the attendees than the con itself, though this year a swell of anger rose up when people learned that problematic career feminist Amanda Marcotte was invited to participate in programming. As I said, work in progress. After talking to members of the staff and geeks involved in the community around GGC, it seems the con is worth the work and is also important on a larger scale.

At the Changing Culture in Mainstream and Alternative Spaces panel, I and my fellow panelists talked about the value of cons that focus on sub-sections of the geek community, such as women or LGBT people, and whether it’s better to create our own safer spaces or to try and make the mainstream conventions a better place for all geeks to be. Ben Williams, a founder of GaymerX/GaymerCon, spoke about how separating from a larger, less inviting culture has big benefits in helping people feel like they really belong.

However, Jo Jo Stiletto pointed out that even creating your own thing — in her case, roller derby — for your in-group doesn’t mean that it won’t grow and change into something that no longer feels right for you. Game designer Shoshana Kessock advocated for changing cons from the inside because she feels that if we completely withdraw, then the mainstream will only see geeks as the stereotypes we leave behind.

I can understand that point of view and I am often an advocate of changing instead of abandoning the cons I love. It can work; just look at how WisCon and ReaderCon have shifted in the past five years. However, there’s a big difference between those cons and PAX or SDCC, entities that aren’t as susceptible to big changes enacted by dedicated volunteers. I say the only way to force a change in that type of con is to starve them of their lifeblood: geek money and attention.

There Are A Lot Of Men Here

That’s where cons like GeekGirlCon come in. Here you have all the same kinds of events and panels and activities as other cons but with women at the center of the conversation. In this environment women hopefully feel like their voices and experiences and way of geeking out are celebrated and appreciated. If you listened to the common wisdom about centering women, you’d think that this type of con would result in a low male turnout. Not as low as Sirens, of course. But guys wouldn’t flock to this type of environment, would they?

Uh, yeah, they would.

There were far more men at GeekGirlCon than I expected and they participated at every level: on staff, on panels, and as attendees. And yet GGC people also spoke of the con as a Safe Space. Again, the idea of what is safe differs depending on what type of woman you are, yet I was pretty confident that there wouldn’t be anyone there saying that they “want to buy an umbrella [that comes] with an Asian girl,” no matter the gender. It’s not about banning or even discouraging guys from coming to the con, it’s about making it clear what is and is not valued that leads to a con women can feel safe attending.

So forget any ridiculousness you hear about how cons that cater to specific or marginalized groups are all about self-segregation. They’re not — not completely. Because if the con has all the elements geeks flock to cons for, it will attract all the geeks. And if these cons can attract geeks away from events that foster a hostile environment, then those other cons (and the media entities that support them) will either have to change or die.

There Are A Lot Of Women Here, Too

I’m torn on which option I want: Change or Die. The cons that represent the most problematic environments — NYCC, SDCC, PAX — aren’t the kind that I like to attend, anyway. I much prefer cons that are for the people attending and not media companies and sponsors looking to sell and market to us. Cons where fans and creators can share panel space and where attendees are treated with respect and not like cattle to be herded. And, after my two-week women-centric con adventure, I’m more reluctant than ever to go to cons that center the 18-49 year old, white, heterosexual male, explicitly or not.

Neither Sirens nor GeekGirlCon are perfect events and could benefit from a little change themselves. And I want to be part of that change. Because making a con better for me and women like me means making cons that are better for everyone. Guess I’d better start saving up now.

originally posted at xojane.

Chicks Unravel Time Readings & Signings in Worcester, MA & New York City

Chicks Unravel Time comes out in just a few days! Eee! I’m very excited. This book is bound to be really special. I’ve already had a sneak peek at a couple of the essays and I will predict that Doctor Who lovers will enjoy every page.

Some related events surrounding that. First, to get the bad news out of the way: I will not be attending Chicago TARDIS this year. I know, very sad! But family obligations + lack of money = no Tempest at the con. However, there will be a panel and signing and all of that with the fabulous editors, Deborah Stanish and L. M. Myles, plus many of the contributors. So if you can get to the con, go check it out!

Good news is that I will be at two more local reading/signing events!

The first is in Massachusetts near Boston, the second right here in my hometown of NYC. Details:

On Saturday, November 17th, Annie’s Bookstop of Worcester is holding an all-day Chicks Unravel Time event. I’ll be there alongside Jennifer Pelland, another of the book’s contributors, plus Katy Shuttleworth, cover artist extraordinaire. We’ll be reading, signing books, and hosting a roundtable discussion/Q&A. The store has promised us some surprises as well, and there will be tons of Doctor Who merchandise besides the book to peruse. So please do come!

Location: 65 James Street Worcester MA 01603

Time: 11/17 1PM – 6PM (come early for the reading/signings)

Next up: NYC Doctor Who shenanigans!

The Doctor Who NY group is hosting a reading/signing/book launch event at The Churchill, a pub that appears to be very fancy. This event is going to be loads of fun since both Deborah and Liz will be in town. Then Liz goes back to Scotland and we all cry.

There will also be copies and discussion of a couple of other recently published Doctor Who books that night as well. So overall it will be a big one for NYC Doctor Who fans.

Location: 45 East 28th St (near Park Avenue), New York, NY

Time: 11/28 6:30pm

Here’s a Facebook page for the event if you’d like to RSVP there.

Can’t come to either of these events? Sadness! But you know what you can do? You can pre-order your copy of Chicks Unravel Time. Yes, you can!

 

I’m A Chick Who Likes To Unravel Time

Chicks Unravel Time cover
click me for a bigger version

I’ve dropped hints about this for a while, but now it’s official and on the record! I have an essay in the forthcoming Chicks Unravel Time, a follow up to the Hugo Award-winning Chicks Dig Time Lords. Woot! This is my last essay for books from Mad Norwegian Press, so I’m really glad it will be in such an awesome book.

This one is different to the first in that editors Deborah Stanish and L M Myles asked each contributor to consider a specific series of Doctor Who and to explore it in any way we liked. So, not every essay could be classed as “a celebration”, but they’re all written by women who clearly love Doctor Who and who have intelligent and deep thoughts on the show.

Also, the cover art is awesome! Katy Shuttleworth once again being all badass.

Here’s the full table of contents so you can get a taste of what everyone is talking about:

  • Regeneration – Shaping the Road Ahead by Barbara Hambly
  • The Doctor’s Balls by Diana Gabaldon
  • A Dance With Drashigs by Emma Nichols
  • No Competition by Una McCormack
  • Identity Crisis by L.M. Myles
  • The Still Point by Anna Bratton
  • For the Love of Tom by Sarah Lotz
  • Donna Noble Saves the Universe by Martha Wells
  • I’m From the TARDIS, and I’m Here to Help You: Barbara Wright and the Limits of Intervention by Joan Frances Turner
  • I Robot, You Sarah Jane: Sexual Politics in Robot by Kaite Welsh
  • Between Now and Now by Juliet E. McKenna
  • What Would Romana Do? by Lara J. Scott
  • The Women We Don’t See by K. Tempest Bradford
  • The Ultimate Sixth by Tansy Rayner Roberts
  • Maids and Masters: The Distribution of Power in Doctor Who Series Three by Courtney Stoker
  • Robots, Orientalism and Yellowface: Minorities in the Fourteenth Season of Doctor Who by Aliette de Bodard
  • David Tennant’s Bum by Laura Mead
  • Superficial Depth?: Spirituality in Season Eleven by Caroline Symcox
  • The Problem With Peri by Jennifer Pelland
  • All of Gallifrey’s a Stage: The Doctor in Adolescence by Teresa Jusino
  • All the Way Out to the Stars by Iona Sharma
  • Build High for Happiness! by Lynne M. Thomas
  • Nimons are Forever by Liz Barr
  • Ace Through the Looking Glass by Elisabeth Bolton-Gabrielsen
  • Hey, You Got Science in My Fiction! by Laura McCullough
  • Seven to Doomsday: The Non-Domestication  of Earthbound Doctor Who in Season Seven by Mags Halliday
  • Harking Back and Moving On by Jenni Hughes
  • Anything Goes by Deborah Stanish
  • How the Cold War Killed the Fifth Doctor by Erica McGillivray
  • Waiting for the Doctor: The Women of Series Five by Seanan McGuire
  • Timing Malfunction: Television Movie + the BBC Eighth Doctor Novels = A Respectable Series by Kelly Hale
  • Guten Tag, Hitler by Rachel Swirsky
  • Reversing Polarities: The Doctor, the Master and False Binaries in Season Eight by Amal El-Mohtar

There’s one essay for each series of the show, classic and current, plus the TV movie.

My essay is about Series 13. When Deb first asked me to be in the book and told me the premise, I loved the idea right away. I let her pick a series for me since I’m not very familiar with classic Who and she hoped to get some fresh perspectives on the older stuff.

At the time, the series I would have chosen for myself is #3 of the modern era. Deb rightly pointed out that my CDTL essay was pretty much an exploration of Series 3 through the lens of my love for Martha. The only other series I have many FEELS about is #4. After that my ability to deal with Doctor Who flies out the window.

The choice of Season 13 ended up being a good one. Tom Baker’s Doctor is the only one of the classics I’m familiar with. I’ve seen some of Series 12 and a few of his adventures with Romana. But I came into #13 fresh.

I won’t spoil the essay for you, but I will say that I was a little surprised at some of the things I found there, despite knowing in advance that I would see some problematic stuff. What I found very interesting, and only touched on a bit in the essay, was how much of new Doctor Who I saw in those old episodes. I can tell that some writers have been influenced by those episodes for good and for bad.

I now also have a full appreciation for how eye-roll worthy it is that the Doctor’s race is called the Time Lords, as if there are only men running around on Gallifrey. This plays out in interesting way during this series.

Chicks Unravel Time is out on November 13th, and you’d better believe that I’m going to remind you several times before the actual day. I should also note here that it’s almost a 100% done deal that I’m attending Chicago TARDIS over Thanksgiving weekend so I can take part in the panel about the book! I’m just waiting to see if I can get a press pass.

Until then, pre-order and spread the news!

Dragon*Con 2011: The Late, Late Report

I’m horrible at posting timely con reports, so I’ve given up worrying about it. It’s been a week since Dragon*Con ended, so at least with this one is up faster than my WisCon or ReaderCon reports. No, you didn’t miss them… they aren’t posted yet.

Onward!

This was my first Dragon*Con, and I was slightly worried about feeling overwhelmed. However, I had the chance to work for the at-con newsletter, the Daily Dragon, and that helped me feel less at sea. I had specific things to do and I spent most of my time doing them. Those specific things involved copyediting, being on call in the DD office, covering panels, and interviewing people. Being a journalist is a bunch of fun.

I had a great time talking to Ann and Jeff Vandermeer about steampunk and Alethea Kontis and Leanna Renee Hieber about being pro guests who are also fans. But the absolute highlight of my con was getting to interview Kate Mulgrew, Star Trek: Voyager’s Captain Janeway. I also got to interview Brent Spiner of The Next Generation.

For Kate Mulgrew, I had to chase down her agent, then come sit at her signings three times before he found time in her schedule. William Shatner had just denied a couple of my colleagues an interview, so I was nervous. But Ms. Mulgrew wasn’t as ALL DONE THIS as Bill (and I don’t blame him, he did three solo panels and signed 4 times) so she granted me five minutes.

I’ve met her just once before, and she was just as warm and funny as before. She has this commanding attitude that I adore. It’s not obnoxious — more like a very forceful matriarch. If she tells you to do something, you do it because obviously she thinks it’s best. Plus, you don’t say no to Captain Janeway. Read the interview (Kate says so.)

Talking to her about how there needs to be more women leaders in the Star Trek franchise, I had this awesome idea for a panel at Dragon*Con about female leadership in SF. My dream panel would be Kate Mulgrew, Nana Visitor, Mary McDonnell, Salli Richardson-Whitfield, and Gina Torres. I also think that would make an excellent pop essay book, with the volume split between TV/Movie properties and SF novels. As things ramp up for next year’s D*Con, I’ll see if the panel is possible.

I was in the autographing room on Monday waiting for Brent Spiner to have time when I noticed that Robert Duncan McNeil (Tom Paris, Voyager) had a life-size cutout of himself in character sitting on top of his table. Not next to, on top of. I went over and asked, “How much to take a picture with the cutout?” because pictures with him were $10 and that’s just not my thing. Thankfully he has an excellent sense of humor and joked with me about it and, when I came back to actually take a picture with the cutout in my absolute silliness, decided he needed to be in the pic, too. I let him. You know, to make him feel better.

Tempest Bradford and Lt. Paris... and Robert Duncan McNeil

I also had one other mission during the con, which was to sell fans and raise money for Con or Bust when possible. I didn’t sell many fans, but my roommate, Mary Robinette Kowal, sold TONS. She’s a sales machine and earned Con or Bust a lot of money.

In addition to selling fans, I also asked some actors of color to sign one so we can auction them off. When I get home I’ll post pics. Edward James Olmos (BSG) and Garrett Wang (Harry Kim, Voyager) both signed readily and were very sweet about it. In fact, Garrett misunderstood my request (I’d asked him the night before in the green room) and had a picture he’d planned to give me of Robert Beltran, Robert Picardo and himself in character, signed by all three. It’s really adorbs. I gave him a fan in exchange for the picture and we’ll auction that off, too.

Sidenote: Garrett Wang is awesome. He runs the Trek Track at D*Con and does a fantastic job, does funny as hell spots for Dragon*Con TV, and spends hours and hours in the autograph room so everyone who wants to see him gets a chance. Plus, he’s super sweet, like I said.

That was pretty much my Dragon*Con. I met many awesome fans, hang out with the fabulous Daily Dragon staff, saw fantastic costumes, got to go to panels, met one of my heroines, and had conversations with a host of fabulous people. I’m looking forward to going back next year.

And Now For Something Completely Awesome

And Now For Something Completely Awesome

Hugo Award nominations were announced yesterday and this shiny book got a nod in the Best Related Work Category:

That’s right! Chicks Dig Time Lords is a Hugo nominated work! I am so incredibly happy, yay!

And, if I am allowed to say: well deserved! Lynne and Tara put together a really solid lineup and the fan response has been overwhelmingly positive. I hope that remains the case as Hugo voting commences :)

On equally happy notes, I see a lot of friends scattered throughout the nominations, but I wanted to give a special shout out to fellow Altered Fluidians N. K. Jemisin and Saladin Ahmed. Ms. Jemisin’s first book, The Hundred Thousand Kingdoms, is on the best novel list and Mr. Ahmed is up for the Not A Hugo Campbell award for best new writer.

I posted the whole list over on the ABW and noted that there are quite a few women on the list, more POC than I’m used to seeing, and many “new” or young writers, which is an achievement for the Hugos. Can’t wait to see how the winners balance out on these fronts.

Coming Out Day

Coming Out Day

I actually have no interesting coming out story to tell. Mostly because my coming out happened in stages and in small steps over time. Most of my extended family has no clue, and my immediate family either knows or doesn’t based on if they’ve been around when I’ve talked about past girlfriends or something. Overall, I haven’t felt a big need to talk directly about this kind of thing because my family considers me so weird for so many reasons this would just add to the pile and not mean much.

Though I am pretty sure that at least one of my aunts thinks I am going through a phase.

I find that I am reluctant to formally come out to anyone, not because I have any shame about what I am, but because I end up getting into odd, intrusive conversations for no good reason. But when it comes up I do usually identify as bisexual unless that day I’ve decided to identify as a lesbian. Why the switch? Because there are many days when I just don’t like men very much, and I’d rather not admit any kind of connection to them in the attraction department. These days usually include those where I have to deal with really sexist dudes, which thankfully isn’t all that often.

I remember in college we used to have discussions about identifying politically as Lesbian or Gay even though one is actually Bisexual. So sometimes I’ll say that politically I’m a lesbian, but emotionally I am bisexual.

I’m also Poly, which most people don’t know about me due to my reluctance to get involved with one partner, let alone multiples.

Actually, that’s what a lot of this reticence comes down to. I do not often enter into romantic relationships (by choice), so there’s not usually much reason for me to reveal my preferences in the matter. Unfortunately, this feeds into the whole heterosexual privilege thing, as many probably assume I am het. And though I am an activist for social justice in many arenas, including LGBT issues, that is not my forefront activism, thus it’s not always apparent.

So, over the course of my life before this, and probably after, I will have many small coming out moments. This post is probably one.

5 Links Make Up for Radio Silence

I know you all think I’ve dropped off the face of the Earth. Maybe what I need to do is promise a post a day with interesting links. That would at least be something.

  1. Today at Tor.com you can see the latest installment of Tech News For Nerds, a weekly thing I’m doing over that way. This one is all about cell phones and wireless technologies. Netbook fans should take special note of the smartbook section.
  2. My dear friend John Klima is raising money for a new genre magazine showcasing underrepresented cultures. Go vote for his idea and help him win $25K to get started. (Yes, you need money to start a magazine, people. And John is good at it.) It’s a great way to stick it to Norman Spinrad.
  3. Did you know that I’m in an ultra-cool non-fic anthology called Chicks Dig Time Lords? I so am. It’s such an amazing book and filled with all kinds of smart writers and fans and actors and Doctor Who goodness. Women talking about their fan experience across time (and space) and being very smart about what they love and don’t love about the show and fandom. I, of course, wrote a controversial essay on Martha Jones. I know Paul Cornell has the book, I just hope he doesn’t hate me for what I said about Human Nature. Go buy Chicks Dig Time Lords right now and then go listen to the podcast of Hour of the Wolf featuring several contributors and read about our shenanigans the night before.
  4. Speaking of books, remember the list of eReaders I said people should be on the lookout for? Several of them now have full reviews, including the Alex eReader, which is my favorite. If anyone asked me right now which eReader they should buy, I would say the Alex without hesitation. The list of other eReaders is on Tor.com as well.
  5. This weekend I watched the BBC miniseries Lost in Austen and have the following things to say about it: (a) When did it become okay to present fanfic as legitimate television? (b) Does the BBC have only 20 actors? Because I have seen a third of this cast on every show I’ve watched. (c) After the clusterfuck that was Hex, Jemima Rooper and Christina Cole shouldn’t be allowed on screen together again nor should they be allowed psuedo-lesbian encounters because they wouldn’t give them to us on that horrendous show. (d) Jemima is awfully hot. (e) Judging from the 700+ comments for this movie on Netflix, I’d have to say that it’s successful insofaras it’s made people feel strongly that it’s the best thing ever or a piece of crap. (f) Where can I get a job writing badfic for money?

Now back to my regularly scheduled seclusion.

A Cold Day In Hell: I’m Actually On FOX’s Side For Once

A Cold Day In Hell: I'm Actually On FOX's Side For Once

Over on Tor.com I’ve got a piece up priasing FOX for its decision to cancel Dollhouse. I know, a bunch of you will disagree. A whole bunch of you won’t, though! I hope you’ll join me in supporting FOX at this difficult time. I wonder if I should grab up the URL dontsavedollhouse.com? Because there are already campaigns to save it. For once, I think we need a strong anti-campain so FOX won’t start to second guess itself. Down with bad television!