Podcast logo for Originality which has a 7 pointed star in pink and yellow with a dark pink and black background and the words Originality exploring the roots of creative genius

ORIGINality #11: Stuff Your Inner Critic in a Box

NaNoWriMo is now over, but it hadn’t yet started when we recorded this podcast. And honestly, I don’t think you need to be preparing for NaNo or even care about NaNo to engage with what we talk about here. There are all kinds of art challenges you can take part in, be they 1 week, 1 month, or 1 year. They don’t have to be the ones dictated by someone else’s rules, either.

I am still very much interested in hearing from artists across the spectrum about the challenges they’ve taken part in or set themselves and where those challenges have been successful and even where they haven’t been.

You can listen to the podcast below or head over to the episode page and do it there or even subscribe so that every episode shows up in your podcatcher.

 

Pyramids and Punk

Help Me Get To Egypt, Get Cool Stuff

If you follow me on social media you likely know that I am finally planning to go to Egypt to do research for my AfroRetroFuturist series in progress. I found a tour that’s going to all the places I need to go, including one that package tours rarely go to, and it’ll cost me about $6,000 dollars all told. Some of that will be taken care of by the money I get from my (amazing, wonderful) Patreon supporters, but I have to raise the bulk of it outside of that. Thus, I set up a page on YouCaring.com.

I’m really eager to get this series of books and stories right. With it I intend to challenge ideas about gender roles in the ancient world and explore what a matrifocal, technological, and unquestionably African Egypt could look like. I’m doing it with characters that exist beyond binary sexualities and beyond binary genders, and whose problems don’t arise from those identities. And I’m doing it with queer Black women as my protagonists.

I need to go to Egypt because experience has taught me that in order to capture the sense of a place, a structure, or a monument in my writing I need to experience it firsthand.

In college I traveled to England for a class, and our teacher was able to get us special access to Stonehenge. We were allowed walk among the stones instead of settling for only getting tourist close. All my life I’d seen images of Stonehenge, heard from experts and visitors about how impressive an achievement it is, read about the height and weight and makeup of the stones. But it wasn’t until the moment I was standing next to them, touching them, and craning my neck up to see the top that I grokked the magnitude of the accomplishment Stonehenge represents.

I had to experience the truth of those facts myself before I could begin to understand and then convey them. I need to stand next to the pyramids for the same reason.

If you’d like to support this trip and my work in general but don’t want to do the monthly thing via Patreon, now you can send me a lump sum. All donors will get added to my new monthly newsletter mailing list, and depending on how much you donate, you get some of the same content my Patreon supporters get each month.

$25+ gets you a 30 minute video chat ask me anything session, $50+ gets you a piece of (very) short fiction every month, $100+ gets you chapters from the work in progress once a month, $200+ gets you a critique of a short story. There are some more levels and more rewards Click over to the YouCaring page to see them all.

As of this blog posting I’ve raised over $600, but I’m not to $1,000 yet. When I hit $600 I promised to do a live rewatch of The Prince of Egypt and a vlog with my reactions to it. That is coming up this weekend. When I hit $1,000 I’ll do the same with Exodus: Gods and Kings. With every major goal I hit — $2,000, $2,500, $3,000, etc.–I will do a live watch of some movie set in Ancient Egypt and very likely rip it apart for being inaccurate, whitewashed, or nonsense. It’ll be a good time.

And yes, one of those levels will unlock a live watch of The Gods of Egypt, which I have never seen. I will suffer through it for money.

If you’re able to donate, thank you! If you’re not ale to but want to help, please share this blog post or the direct link to the YouCaring page via social networks, email, directly to friends. Anything and everything helps.

Description and the Other Sirens

I’m Teaching A Writing Intensive at Sirens Studio 2018

Four years ago I attended the Sirens conference for the first time and fell right in love with it. You can read a little about my experience here. The theme that year: Reunion. It was Siren’s 5th year and they were celebrating the fact that in those years a small but potent community had grown up around the conference.

I didn’t get to go to Sirens in 2014 or 2015 for financial reasons – it can be an expensive event – but in 2016 I got a scholarship to attend and this year I financed it in part via Patreon. I wanted to be there to celebrate my friends Kiini Ibura Salaam (one of last year’s guests of honor) and N. K. Jemisin (one of this year’s GoHs). And I missed that little but potent community of awesome people.

Next year, I get to go back! I’ve been invited to be a part of the Writing faculty for Sirens Studio, a workshop that takes place in the days right before the main conference starts. My workshop will be on description and writing inclusive fiction:

After characterization, the aspect of craft writers who aim to create inclusive, representational fiction are most anxious to get right is description. This can be particularly difficult for fantasy and science fiction authors, who must sometimes describe types of people who don’t yet exist. In this intensive we’ll use writing exercises to explore and practice the art of description, talk about bias language, and dismantle the idea of exposition as the enemy of good writing. There will be a mix of lecture, discussion, and exercises, and all participants will leave with a set of resources for further practice and deeper understanding.

I’m so pleased I get to go back, especially because next year’s theme is, once again, Reunion. This time it really will be a reunion for me. I’m also very excited about the guests of honor: Zen Cho, Kameron Hurley, Anna-Marie McLemore, and Leigh Bardugo. It’s going to be awesome.

If you are thinking about coming to Sirens, think harder! It’s still a small conference – this year they broke all previous records by having about 225 people all told – and it’s still more in the academic conference mold than the SF convention one. That’s what makes it great. There’s a concentrated amount of programming, there are panels and discussions and presentations, the attendees are all smart and love reading, and it isn’t primarily about writing and writers, it’s about reading and readers. If you love books, if you love fantasy, if you love fantasy books written by women, then then you will love Sirens. And you should come. Registration is open. See you there.

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ORIGINality #10: More Capable Spy Women

In this episode Aleen interviews Antony Johnston, author of The Coldest City, which was turned into the movie Atomic Blonde. We talk about the process of having ones art transformed into a different medium, women spies and why there weren’t enough of them in our childhoods, and how ideas come back around even after you’ve put them away for a while.

You can listen below or on the show page where you can also subscribe to the podcast.

 

Pyramids and Punk

Watch The #PyramidsAndPunk Reading from Surel’s Place

My month long residency at Surel’s Place is almost over, and on Thursday it was time for me to show off my work for the local Boise artist community. I read from three of my works set in AfroRetroFuturist Ancient Egypt — The Copper Scarab, the current novel in progress, and a short story in progress — all set in different times about 100 years apart. At the end I also took questions from the most excellent audience, who braved the cold to see me.

I livestreamed the event and trimmed the finished video so the boring parts are all gone.

If you enjoy the reading, you can support ore of the same either by becoming my patron on Patreon or by contributing to my Trip To Egypt crowdfunding campaign. With both, you can read more of the work in progress (depending on what level you donate) as I go.

WX Cruise Caribbean boat

Why You Should Attend The Writing Excuses Cruise & Help Others Do So As Well

This week the fine folks at the Writing Excuses podcast announced the next cruise and retreat. In 2018 I’m joining the team as an instructor alongside Amal El-Mohtar, Maurice Broaddus, Piper J. Drake, Valynne E. Maetani & more. The workshop starts on 9/22 in Houston, and the cruise sails from Galveston, TX and goes to Roatan, Honduras, Belize City, Belize, and Cozumel, Mexico before docking again on 9/30. It’s going to be a fabulous trip and I’m very much looking forward to it.

Before I tell you why I’m so excited for this based on my experiences over the past couple of years, I want to ask for your help with something. Every year, alumni of the Writing Excuses retreats raise funds for a full ride scholarship to the cruise. This is in addition to a scholarship funded by supporters of the Writing Excuses Patreon (the $20/month level). The more money they raise, the more people who can’t afford this cruise get the opportunity to experience this. Please consider donating to the Alumni fund before December 15th, or giving ongoing support via Patreon. I’ll give details on how to do that at the bottom of this post.

But first, let me tell you why I think going on this cruise is an awesome opportunity for writers.

I first came on the cruise back in 2016 when I was invited to be a staff member. That year we sailed around the Caribbean, and it was my first time on a cruise ship. The nature of cruises like the one we took is that we only spent a few hours on each island, and so there wasn’t much time for seeing more than one thing and certainly not enough time to get a real sense of the place.

WX Cruise Caribbean zoo

That said, having one distinct experience in each place, getting some time in places I’d never been, being exposed to even the slightest hint of something outside of my life, was powerful. It made me want to have more time, to visit the places for real. But I also appreciated those few hours floating in clear, warm ocean water and allowing myself to just be and breathe and listen.

WX Cruise Caribbean beach

This year’s cruise was very different. We went to the Baltic sea with stops in Sweden and Denmark and Estonia and Russia. There were no beaches! But with each city there was time enough to again have a distinct, capsule experience.

WX Cruise St Petersberg

And it was on this trip that I discovered how even a small amount of time in a place can provide inspiration for my writing and fodder for my creativity. I talked about this in episode 13 of ORIGINality (skip to the 1 hour mark for the stuff on this trip in particular). I was able to turn experiences I had in Europe into useful reference points for the novel I’m writing set in Egypt. And I know down the line the places I’ve been will bubble up in some other way. Everything one does can benefit ones writing.

WX Cruise Stockholm

Beyond that, the cruise instructors all offer classes, there are critique groups and other workshops, the chances for one-on-one discussions with amazing authors, editors, agents. There’s networking and craft working and skill building and the opportunity to get to know some amazing people. I have felt so very lucky to be part of it the last two years and to get to be part of it going forward.

I want more people to have the opportunity to be part of it. And so I’m asking that if you have $5 to spare or $10 or $20, please donate to the alumni scholarship fund. You can donate via PayPal to wxralumscholar@gmail.com by December 15th. If you donate via credit card, please mark it as a gift and not as for a good or service, so they won’t be charged a fee. If you really hate PayPal, email that address and they’ll work something out with you.

If you have $20 a a month to spend, consider supporting the scholarship through the WX Patreon. You get cool extras if you do.

And if you’re a person who would love to come on the cruise and would benefit from it but cannot afford it, keep an eye out for when the scholarship applications open. It’ll be announced on the Writing Excuses website, social media, etc.

Finally, if you’re a writer and you can afford the time and price of the cruise, please join us! I have no doubt this year is going to be as wonderful as the last two. The ports we’re visiting have the potential to offer inspiration or relaxation, and the instructors are going to teach you amazing stuff.

Come on a boat!

Tempest in front of Surel's Place sign

My November Writing Residency Starts Now! (+ Events)

As previously mentioned, I am the writer-in-residence at Surel’s Place this month. My residency officially starts on the 6th, but I slipped in yesterday so I could get settled while the local artist pop-up shop event is happening. I’m already in love with this house and I know I’m going to get a bunch of work done while I’m here. And since I spent the last month researching, my creative well is super full. I’m ready for this.

While I’m here in Idaho I’m taking part in a few events.

Workshop: Crafting Characters Who Aren’t Like You

When: Saturday, November 18th 1:00pm–4:00pm

Where: Surel’s Place, Garden City, ID

$10 Registration Fee, click here for Full Description and Tickets (There are scholarships available, just email info@surelsplace.org)


Reading: Pyramids and Punk

When: Thursday, November 30th

Where: Surel’s Place, Garden City, ID

Free and open to the public

Doors at 6:30pm | 7pm reading, Q&A follows


On Friday, December 1 I’m reading as part of Garden City’s First Friday events, details to come.

I’m also working with the local NaNoWriMo community liaison to do a write-in here at the residency house. If you’re local and part of NaNo, that information will be posted on the local board.

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Originality 9: Investing in Art

In this episode Aleen and I talk about how artists go about getting support for their endeavors. Not just selling their stuff, but getting people to invest in them via crowdfunding, patronage, and the like. This is a topic near and dear to my heart, obviously, as I’m currently supported in part by folks on Patreon. However, I put off doing that for almost a year because I was afraid to ask for that support and didn’t feel I deserved it. We talk about that and more.

Click here to listen or click here to subscribe!

And I’d love to hear from other writers, artists, musicians, and creatives about how you put yourself out there for investiture.

S J Tucker

Originality episodes 7 & 8 with S. J. Tucker

Our first two-part episode! I interviewed musician S. J. Tucker and the conversation was so rich and full of awesome that we split the discussion of it in two.

Episode 7, Will the Universe Take Care of Me?, is about how Sooj came to be a vagabond musician who made her living almost exclusively from her artistic talents. Episode 8, A Song-Shaped Butterfly Net, is all about collaboration. Both episodes feature snippets of her songs, which you will love, and the show notes have many links to where you can hear more and buy her stuff.

You can click the links above to download the individual episodes or you can click here and subscribe and get all the episodes!

Egyptians Moving Large Statue

Physicists Might Be Jerks and Other Things I Learned While Researching Egypt

For the past 3 weeks I’ve been holed up in the library at Rosicrucian Park, a magnificent place that is also home to the Rosicrucian Egyptian Museum, one of my favorite museums in the country. I needed to do some deep research for the novel I’m writing, and I figured this particular research library would be an excellent place to do just that. I was not disappointed.

One of the great things about researching there is that they have several older Egyptology books, some dating to the early 1900s (oh man… I typed that like it was some old timey century ago but that’s literally the century I was born in… ack). One of the interesting things I discovered as I went through some of these older books is that the paradigms of Egyptology that I’m used to encountering in books written in the past 40 years or so are not the paradigms that have always existed. Some scholars at the beginning of everything had different–and sometimes more interesting–ideas about ancient Egyptian culture that have fallen away. Some have fallen away due to more finds and better understanding of the language. But some seem to have dissipated for no good reason. I find it all fascinating.

One aspect of the shifting paradigms is shifting ideas about how advanced or primitive the ancient Egyptians were compared to the ancient Greeks or Romans or even modern peoples, for whatever value of modern one is talking about. I found varying views on the types of tools and simple machines the Egyptians must have had for them to have built massive monuments and temples of multi-ton granite stones, varying views on how sophisticated their knowledge of astronomy was, and varying views on the meaning of their mythologies. So much to take in!

One particular aspect of this caught my eye while researching, which I wanted to share with you. That is the supposed mystery of how Egyptians were able to move such large stones.

A few years ago some physicists published a paper called “Sliding Friction on Wet and Dry Sand,” which proved that one needed less force to pull a heavy object over wet sand than dry sand. The way science journalists got everyone’s attention when reporting on this somewhat boring topic is with headlines like “The surprisingly simple way Egyptians moved massive pyramid stones without modern technology” and “Solved! How Ancient Egyptians Moved Massive Pyramid Stones.” First of all, nothing in this research paper proves anything about pyramid stones, but clickbait headlines gotta clickbait, right?

Anyway, the reason why most people remember these articles is because of this:

It has long been believed that Egyptians used wooden sleds to haul the stone, but until now it hasn’t been entirely understood how they overcame the problem of friction. … “The Egyptians… placed the heavy objects on a sledge that workers pulled over the sand. Research … revealed that the Egyptians probably made the desert sand in front of the sledge wet.”

Adding more evidence to the conclusion that Egyptians used water is a wall painting in the tomb of Djehutihotep. A splash of orange and gray, it appears to show a person standing at the front of a massive sledge, pouring water onto the sand just in front of the progressing sled. What this man was doing has been a matter of great debate and discussion.

Egyptians Moving Large Statue

Bonn [one of the researchers] wrote in an e-mail to The Post. “In fact, Egyptologists had been interpreting the water as part of a purification ritual, and had never sought a scientific explanation…”

When I first read this my thought was: Ugh, typical Egyptologists/archaeologists, assuming something practical is ritualistic. Cuz, well, this happens often.

But then.

As I was going through older books, I came across that picture of the pulling of the giant stone statue several times, and every single time I did, the author explained the picture or captioned it with something along the lines of: Workers pulling granite statue of the pharaoh while someone pours water on the sand to help make moving it easier.

Um. But wait. I thought that “Egyptologists had been interpreting the water as part of a purification ritual, and had never sought a scientific explanation.”

HMM.

Either the early Egyptologists were smarter than the ones that came later about these things or maybe, just maybe, the physicist who gave that quote doesn’t know what the hell he’s fucking talking about and/or made it seem like the people in a different scientific discipline than he is were being stupid.

Quite honestly, it could be either or both.

I want to run over all those articles about this thing with a giant CITATION NEEDED stamp.

Science journalism has so much to answer for.

At any rate, I am very grateful for the opportunity to spend time reading these older books and widening my understanding of ancient Egyptian culture as well as some of the people who were formative to Egyptology. This research trip was made possible by the folks who support me via Patreon, and I am so, so appreciative of them! They’ve put up with a lot of lag from me, but next month I’ll be able to get back on track and start sending them chapters again.

If you would like to read more about my research finds, I’ve been blogging about them on Patreon for all patrons. I have a few more research posts coming this week. If you’re interested in seeing them, click on over!