They Say: Children more likely to own a mobile phone than a book. I Say: Good.

They Say: Children more likely to own a mobile phone than a book. I Say: Good.

I’ve seen this Telegraph article linked to at least seven times amongst my geeky, book reading friends, usually with much anger or sadness or both and a lot of fist shaking. The gist is this: studies say that kids who have access to books at home are more likely to stay in school. Also that kids who had their own books are better readers. But many kids don’t have their own books or access to books in the home, but a ton of kids have their own mobile phones.

While the article is full of people going OH NOES! I am like: dude, this is a wonderful opportunity.

It doesn’t say what kind of mobile phones these kids have. Maybe they’re not smart phones, but I’ll bet a lot of them are. I’ll bet a lot of those smart phones are the kind that utilize apps (even WinMo can handle apps, they are just crappy apps). If the phone has apps, there’s an eBook reading app that exists for it.

Even non-smart phones have the ability to read some eBooks. And given that mobile makers are looking for ways to make non-smart phones more interactive, engaging, and enticing by asking developers to get on making apps for them, too, if your phone doesn’t have the ability to read eBooks, it will soon.

While it’s true that most apps can’t read eBooks with DRM, that should not be a barrier. Let the books be DRM-free or, if you really, truly care, develop some apps that can read ACS4 encoded files and release it to the world.

You say 80% of kids have a mobile but you want them to own books? Then sell them books for their mobiles. You want to run a program to give free books to kids so they’ll read? Budget money for both paper books and eBooks. You want kids to read more? Then you reach them where their interests clearly lie instead of trying to drag them back into the habits of an old and curmudgeonly generation. This isn’t hard.

In other words: stop your whining and do something. Or hush up.

In Which I Complain About LiveJournal

In Which I Complain About LiveJournal

I’ve been lamenting a lot lately that I feel disconnected from the SF blogging world due to lack of time spent reading blogs. This is, sadly, the natural result of having a job that keeps me very busy. But then I thought: hey! I should use all this mobile technology I keep going on about to help me with this endeavor. I have a 45 minute commute, I have an Android phone, this should not be hard.

I spoke too soon.

Getting the journals I read via RSS are easy enough to put in my phone. I just add them to Google Reader and I have an app that automatically syncs with it. But many of my friends are on LJ, and I want to read their entries, too. And since many of them put things in locked posts, I want to read those locked posts.

Turns out, this is not easy.

I thought there would be a LiveJournal app. Nope. Well, there are many for posting to LJ, but none that I can find for reading LJ flists. Next I tried to figure out how to get my flist into Google Reader with the locked posts included. Nope. There are many hacks, workarounds, and crazy things, but many of them were blocked, thwarted, or shut down by LJ.

WTF people.

All I want is to read my friend’s LJ posts on the go so I’m not tied to a computer. What does LJ have against this? Do they want money for it? Honestly, I’d pay a couple bucks a month for the convenience. Do they want blood? My vampire boyfriend can live on a little less a month.

I’m kind of appalled that there is not a solution for this. How many years have we had the iPhone? How many years have we had Android? This is not just some damn fad, LiveJournal. I knew your fail was far and wide, but did not think it extended to this level. Ugh.

Goog thing I don’t give you money, anymore.

Hey, Henry Blodget, Blogger at Silicon Alley Insider, Screw You!

Hey, Henry Blodget, Blogger at Silicon Alley Insider, Screw You!

I’m a little surprised that a respectable news outlet like Business Insider puts up with screeds the likes of which Henry Blodget spewed all over Silicon Alley the other day. It’s shocking to me that not only is the post chock full of whiny, entitled, angry foot stomping, but also wrong information. I know blog posts aren’t fact checked or anything, but hasn’t someone come along from higher up in the editorial chain to even question the bullshit he just dumped all over a supposed business site?

First, the cost to make an eBook — whether you’re just publishing an eBook or one alongside print books — is not “pretty much zero”. It’s just not. Second, if Macmillan, or any other major publisher collapses, someone else is not just going to pick up and publish the books they can’t and someone else isn’t going to just hire all the people that would put out of work. And that someone else is definitely not going to be Amazon. Because, despite the Digital Publishing Platform and Amazon Shorts, Amazon is not a publisher in the way Macmillan is a publisher.

Amazon as publishing entity is about on the same level as iUniverse, Lulu, and anyone with a blog and a decent shopping cart system. I could start selling eBooks tomorrow and those eBooks may even be written by someone who is not me. That doesn’t make me a publisher1.

But then that is part of the problem with Henry’s post — he doesn’t understand, at all, what it is publishers do, what Amazon does, and how all of these issues affect writers and consumers. Yes, an consumers. Henry says “we” don’t want to pay $15 for an eBook. Fine. Then “we” won’t. Consumers will spend what they spend any way they choose to spend it. If Macmillan or anyone else wants to price their books high then find out down the line that it means fewer sales, how does that hurt Henry or the rest of us?

Oh right, because then Henry can’t get what he wants when he wants it at the price he wants it. And for some reason he can’t just not buy an eBook, he wants to insist that eBooks sell at the price he’s willing to pay for it. Fine, I insist that the Kindle cost only $9.99 so that I don’t have to spend so much on it. What’s that you say? Amazon has to cover the cost of manufacturing and designing and maintaining and updating the Kindle? I don’t fucking care, do you understand? I want what I want when I want it at the price I demand.

Also, I want a pony.

Look, the idea that books, even electronic versions of books, are easy and free and don’t cost anything and amount to just a bunch of bits is, #1: stupid and: #2 dangerous. The idea that you can toss aside the fact that someone worked very hard to write that book (in most cases) and some other people took the time to edit, proofread, copyedit, design, market and promote that book is in essence saying that none of those people matter. If you really think that, you probably: #1: don’t read very many books, #2: have never met a writer or anyone involved in book publishing, #3: place a poor value on art and entertainment, #4: should be shoved off the nearest cliff.

Just try reading only self-published books for a year or two and then come tell me how all those people aren’t necessary. You will likely find a well-written, awesome book, maybe even two. Only if you read more than 100, though. Have fun reading 100 really shitty books, I’ll be over here laughing at you.

Finally, Henry, don’t even try to pretend like what Amazon is doing is good for writers. Just don’t. Because you’re wrong. You act like by giving publishers less money Amazon is somehow giving authors more. How exactly do you think this whole money flow works, son? If Amazon sells a book for $5 and they take 50%, that means $2.50 goes to the publisher. The publisher THEN pays the writer out of that $2.50. The publisher is going to get a larger chunk of that money than they give the writer, but in the end everyone but Amazon gets less.

You can’t paint the publisher as an evil entity who should get less money without saying that the writer will get less money, too, because that is what will happen. So stop trying to pretend like you’re on our side.

The side you’re on is the entitled asshole side, and that’s not a side most people would want to publicly associate with. You’re not even on the consumer’s side, because consumers have a wide array of choices, and one of those choices is not to buy things. People who bought Kindles already narrowed their choices to just Amazon, which is fine, but don’t then whine and cry when you can’t get cheap books for your expensive eReader. If you somehow feel it’s not fair that you paid so much money for the thing and yet still have to pay money for the books, I have two words for you: Google Books. And I have two more: Project Gutenberg.

Those aren’t good enough for you? Tough. Can’t get that new Stephen King release for just $10? Neither can those who buy it in hardback. Ever think that maybe your major problem is not that someone wants to sell an eBook for the outrageous price of $15 but rather that you are completely unaware of how minor a thing the price of a luxury item is when compared to the damage entitled people like you do to those who actually worked hard to create that item? Never given that any thought, huh?

Why am I not surprised?

(P. S. Will someone please stop folks who are supposedly “insiders” in Silicon Valley from acting as if the eBook reading landscape is Kindle and iPad only? I mean, really, how ignorant can one be?)


Footnotes

  1. And can I also point out that writers who sell their books to major publishing houses do not hire freelance editors unless they hired said editor before they sold the book in order to make it good enough for the publishing house, which is really not the same thing at all as saying that writers can just go it alone on this whole publishing thing. What moron farm did you wander off of, Henry? [⇧]

Dollhouse, Mary Sue, And Trying To Figure Out Just What Is Wrong With Whedon

Dollhouse, Mary Sue, And Trying To Figure Out Just What Is Wrong With Whedon

I’ve had this swirling around in my head since the last Dollhouse episode aired but haven’t had a chance to make it solid, so I want to discuss. I’ve been thinking about the whole concept of Echo being “special” and how this keeps being repeated over and over and hammered in, but we’re never really given a reason why. The show upped the ante with the recent revelation that Caroline (the pre-Echo) did something horrible to this Bennett individual which caused her to lose functionality in her arm and also to hold a very deep grudge. Bennett said something about how Caroline always charmed people and such, and that inate awesomeness apparently still comes through even though she’s Echo.

Thing is, I really just don’t buy this.

Not even just because Eliza Dushku’s acting doesn’t convey all this awesomeness terribly well. Beyond that, this whole concept feels really contrived and pushed on us by the writers instead of something the audience actually experiences. It’s very much like a Mary Sue plot, but whose Mary Sue is Echo?

You could say she’s Eliza’s since she is an Executive Producer and must have some say over plot elements. I don’t get that feeling, though. I feel like this is all coming from Whedon. That doesn’t disqualify this trope from being Mary Sue-ish (after all, Stephen Moffett just loves his female Mary Sues), but I wonder if something else is going on. Like, this is some weird male-centric fantasy that has the Mary Sue flavor but behind it is not some fantasy about being awesome and loved but a fantasy deeply centered in the male gaze and psyche.

Am I making sense? Are you seeing this, too? WTF is this all about? I am sure I’ve encountered all of this before but damned if I can remember a specific show, movie, or book.

Help, Help, I’m Bein’ Oppressed!

Nick Mamatas is always trying to get me to start some shit so he sent over this link to Kathryn Cramer’s blog1. Normally I would ignore this crazy person, but I figure many others are going to comment on this or may already have, so I’ll throw in my 2 cents.

Cramer is apparently bored or something because she’s decided to stir the fires of RaceFail again. This time she’s proposing a panel for WisCon (a convention she no longer attends because of its “encouragement of Fail fandom”) called “More Oppressed than Thou.” Because, don’t you know, there are two kinds of oppressed people: those who have actually been beaten up by cops and those who only have a theoretical understanding of their oppression. You think I am kidding but I am not.

I’m sure that I, a black woman living in America, have never, ever experienced oppression. Oh no. But I read about it in a book and that makes me all self-righteous and stuff.

I know the answer to this, but I can’t help asking why it is that people like Cramer are always the ones to start up the Oppression Olympics. Next she’ll be whining about how her Irish ancestors couldn’t get a job or something.

You would think that attitudes like Cramer’s (and Shetterly’s — yes, he makes an appearance in the comments) wouldn’t even require a response because they’re so ridiculolus. However, going by reports I’ve heard about a certain other convention2 that I know Cramer and those who agree with her view of Racefail attend, I know that we can’t just trust that right-thinking people won’t be taken in by this nonsense.

If someone really, really needs me to explain why her position is a load of horseshit I will. But please tell me that the majority of my FList already knows…


Footnotes

  1. I did not anonymize the link because I don’t care if she knows I’m talking about her. If you’re clicking from your FList and don’t want to even have your screenname show up on her stats, use this link. [⇧]
  2. yes Fourth Street, I am talking smack about you [⇧]

Sci-Fi Hate

Sci-Fi Hate

Apparently there are still people deeply scarred by the term SciFi and will jump on any poor soul who dares to ask: is this term really still derogatory? Jump on him and whip out the claws, apparently. Wow.

I have never really understood the vehement hate this term generates in people. SciFi or Sci-Fi (sometimes pronounced skiffy) has certainly been used by those who look down on our genre. But shortening it to SF and calling that more acceptable merely injects a rather nasty and unnecessary layer to the issue. With SF, you’re kind of hiding what you’re talking about except for those in the know. Does SF stand for San Francisco? (Don’t think people would be so silly as to assume? You’d be wrong.) Or, more importantly to us, does it stand for speculative fiction or science fiction? At least with Sci-Fi you know what one is talking about, as Jason said in his post.

At the risk of having Nick Mamatas say nasty things about me, I have to say that this whole Sci-Fi is derogatory/marks you as an outsider ish has always struck me as a bit of in-community snobbery. Like: “We don’t call it Sci-Fi. Pfft. That’s for clueless newbies!” with a full dose of huffiness and noses in the air. Thing is, if you’re a new person to the community and run across that attitude, why the fuck wouldn’t you just turn around, walk away, and never deal with the likes of SF fans again? Who the hell needs that level of bitchassness in their lives? If you’re going to be shunned for something, at least make it something important, like preferring Star Trek to Star Wars.

Also, I have noticed that the majority of people who raise hell about Sci-Fi vs. SF tend to be folks who are older or have been in the community for a while. Snobbery and disdain from the literary community about science fiction was, if I understand correctly, a lot more virulent in the past than it is now. I can see how that dismissiveness can hurt and make people feel really bad. Alan Bostick says Sci-Fi was used as a “nasty slur”, which is excessively sucky.  But there’s no need to infect newer folks with that same mindset.

All other considerations aside, I like the term Sci-Fi better than SF for a simple reason: it’s easier to say and sounds better. Sigh-fie rolls off the tongue, EssEff is all angles and hard edges. So from now on I’m using it all the time and anyone who tries to claim that I’m not really part of this genre because of it will earn themselves a shrug. I’ll be sure to mention their objections every time I moderate a panel at a Sci-Fi convention. :P

Once More, With Feeling: Intersectionality

Once More, With Feeling: Intersectionality

Or: why the Male Only Table of Contents issue is about both Gender and Race

So over on Marguerite’s blog editor Mike Ashley of the Mammoth Book of White Men Fail Mindbowing SF explains that the stories he was looking for, those that blew his mind with science, aren’t usually written by women, and therefore that’s why he couldn’t find any to include. Women are writing about people, you see, not necessarily science. Whatever. But, as I pointed out there, even if this was a valid excuse for an all-male TOC, that does not explain the lack of POC. A white male friend then pinged me, privately, to say: but isn’t that confusing the issue? Are you criticising him for having only men or no POC? And the answer is: both. And, not surprisingly, the two issues are intertwined.

To wit: when anthologies like this hit the Internets and we look at the TOC it’s very easy to notice that there are no women. It is therefore very easy to comment on and get angry about this fact. It is also easy for editors to come along and address only this exclusion, usually by saying “I didn’t pay attention to the bylines” and “women don’t write the kind of stories I was looking for” or “I don’t want to include them just as tokens”. Because at that point editors can pass it off as taste, and not even one based on gender, but on types of fiction.

But.

When one notices that these anthologies also don’t include any writers of color, either male or female, that complicates the issue, doesn’t it? It’s no longer just about whether men write these kinds of stories and women don’t. Because men of color write science fiction, too. Are we then going to even begin to say that they write more about people and not about science? Of course not. Stupid people are more likely to whip out, “But their stories are about race and only black people care about race!” Those people are wrong on both counts.

The same mindset is at work in both cases. It’s not “women/POC don’t write the kind of stories I was looking for,” it’s: I only like/read/understand/connect to/care for stories about white, male concerns.

That is a problem. Because SF, be it mammoth or mindblowing or sciencey, is not just about white, male concerns. And any anthology of SF or fantasy or horror that essentially posits the white male concerns as representative, normal, baseline, or default is an anthology made of fail. Because that is not what the genre is right now. Maybe 20 years ago. Hell, maybe 10 years ago. But not now. Not in the future.

As I said at Readercon, the future of this genre is women, people of color, people of different classes, people outside of the default American culture, people outside of America, period. When people ignore or suppress or marginalize this truth, be it intentionally or through laziness of mind, as appears to be the case here, you are In The Wrong in every way imaginable.

Understood?

Ever wonder why I’m angry? This might be a reason…

I need not add anything else:

…many of the things that make me angry are topics that have a direct bearing on my ability to have a successful writing career, it’s hard to tune it all out. This is my livelihood we’re talking about, after all. I need to know if I’m going to have to turn my short story protagonists from female to male, or gay to straight, or whatever, in order to get published in ___ Magazine. … And I need to know which editors and agents and publishers and authors think it’s OK to throw racist and gendered slurs at people who look like me, simply because those people have opinions they disagree with. I might need to work with those editors, etc., later. It’s important to know who to watch out for.

[…]

But I don’t understand why anyone would think I want to do this. Why anyone would think I like watching my blood pressure numbers inch up week by week. Why anyone would think I happily, eagerly “play the race card”, whatever that means — or that doing so would actually benefit me in any way. Why anyone would think I’m glad to spend hours of each week reading up about the latest imbroglios, writing responses to them, posting clandestine reviews of problematic books (and worrying about how those reviews will come back to bite me on the ass), preparing for difficult panels at cons, and bracing myself for uncomfortable interactions at every single networking event I attend. Why anyone would think I gleefully await the next instance of a stranger feeling up my hair, or a favorite author showing his ass on race and gender issues, or an established pro shouting at me that this field is a meritocracy dammit, or an even more established pro using the n-word on a woman just like me. I’m boggled by the idea that some people think I find this work desirable, much less fun, when it hurts me every damn day.

Yes. What she said.

RoF Drama Dying Down

RoF Drama Dying Down

And yay for that. I’m working on a post about tone which may also meld into a post I have about how two people saying the same things can garner different reactions based on their gender. Oh yes, it came up.

But first, I would like to point out that Realms publisher Warren Lapine made an appearance on the original thread yesterday. Interested parties may want to take note of the difference between his appearance and Doug’s. There are still some issues to address, mind, but there is an appearance of willingness to listen that I’m taking on face value.

Anyway, I think this is the end of my Realms-specific postings. I’m kind of impressed with the range of dialogue that’s been generated about fantasy art — it’s more than I hoped for and I’m really glad to see the issue being discussed.

Also, much love for the people in this thread.

On Michael Jackson

On Michael Jackson

I have some things to say about Michael over on the ABW, so check it out if you’re interested in another remembrance. If not, here’s another take on things: It’s not even been 24 hours and I am already sick to death of people saying things like, “Instead of everyone mourning Michael Jackson they should worry about Iran/blood diamonds/starving children in Africa/whatever other something that is important.”

Now, I certainly feel that the latest antics of celebrities does not merit 24 hour news coverage; but people, someone died. And whether you were a fan or not, liked him or not, recognize that he was an important person and therefore his death means something. Plus, it’s not as if everyone has forgotten everything that’s going down in the world, it’s just that this particular news story is going to take precedence for a bit.

So, chill the fuck out people who are worried about Iran/blood diamonds/starving children, or a host of other important issues, some of which most people ignore all the time. The news cycle s a 24 hour one, and they can’t fill all 24 hours with MJ. Iran will get covered, especially if something impotant happens, other stories will get covered if something important happens. Being nasty about someone’s death doesn’t make you a saint, it just makes you kind of an ass.