World Fantasy Convention Board Thinks People of Color Were Invented Five Years Ago

World Fantasy Convention is fucking up again, color me surprised.

The most recent entry in the history of WFC fucking up starts with author Silvia Moreno-Garcia sending a message to the World Fantasy Board (an entity that oversees the con but doesn’t run the specific cons each year) about the lack of diversity in the guest of honor lineup for 2019’s convention, especially after having a decent lineup this year. The response they gave? Well…

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You can click to enlarge. Here’s the text pulled from the screenshot:

Thank you for your letter.

You probably know that the Board of the World Fantasy Convention oversees the annual convention, solicits bids, and awards the convention to individual convention committees. While we provide guidelines in many areas including guest selection, decisions that pertain to individual conversions are made by the con-running committee, not the Board.

That said, as a Board we not only encourage diversity we insist on it wherever possible. Convention committees select Special Guests and specially Guests of Honor in order to recognize and my tribute to their body of work within the genre over a significant period of time, usually consisting of decades in the field. Currently we find ourselves in the position of having a limited number of non-white/male authors, artists, agents, and editors to call on to balance the slates. However much we all wish it were different, and however glad we are to see things changing, the fact remains that only recently have a significant number of diverse writers, artists, agents, and editors entered the field.

Thirty years ago we were having the same conversations, but in that case it was about trying to get name women involved. Things have progressed and that’s no longer an issue. When it comes to diversity, we’re pleased with the progress we’ve seen—the 2018 convention may well have been the most diverse World Fantasy yet—but progress can’t always happen overnight. Ten years from now convention organizers will have a much easier task of it than we do right now.

We are also dependent on potential GoHs and Special Guests having space in their diaries – not to mention an interest in participating. A number of people of diverse backgrounds have recently turned down invitations, for a variety of reasons.

We also understand that in the case of LA, they have not yet completed their Special Guest lineup. Indeed, it is quite common for the World Fantasy Convention to announce their headlining guests over the space of a few months.

The same goes for panel participants. Of course you are absolutely right that LA is a vastly diverse city – but if people don’t join the convention, they’re not going to be on panels. WFC panelists are selected from among the attending members to that year’s convention. The more we can encourage writers, artists, agents, and editors of different race, creed, and color to attend, the wider the pool we will have to draw on and the more diverse and rich the field will become.

There is so much wrong here, and if you look at the replies to Silvia’s tweet you’ll find people listing off all of them. There’s one aspect to this that I want to address outside of a tweet thread1, and that is the idea that there aren’t enough non-white, non-male writers, editors, agents, or artists who have been around for long enough to merit a guest of honor nod, but maybe in a decade there will be! This argument, on top of being repugnant, wrong-headed, and gross, is not particularly novel. It’s a variation on a theme I’ve heard quite often over the *counts in my head* two decades I’ve been part of the SFF community. That theme goes:

Black people and/or other People of Color haven’t been part of this community/writing/publishing for very long. It’s a recent thing, them showing up to conventions and getting their writing out there! Why, I hardly ever saw any until like, last year.

I have heard this claim from white people in this genre at least four times that I remember, the first time being around 15 years ago. Think about that. 15 years ago brown people in SFF were brand new. And now today, in 2018, we’re still brand new.

Guess what! When I first started going to cons, Black people and other folks of color were there. And decades before I started going to cons, they were there. Before I was born, they were there. If all these non-white folk meandering around seem like a new development to you, that means you haven’t been paying attention or maybe, just maybe, you haven’t been reading widely enough.

I once suggested a cure for that. And then the Internet told me I was a racist.

Another aspect to this is something N. K. Jemisin brought up in response to Silvia’s tweet:

I am one of the people who turned down a Special Guest invite (for 2020). This is why: a) because as one of this select group that WFC finds desirable, I am BUSY. Cons eat guests alive and I don’t have time or energy for them anymore. That’s the thing abt being a writer from a marginalized group: we have to work harder than privileged folks to thrive. By the end of 2018 I will have published 9 books in 8 years. Lately 4 separate projects in gaming, comics, review, and editing. This is what it takes for us.

And that WFC statement notes that marginalized writers only started getting published in “significant” numbers recently. Whose goddamn fault is that?

So to demand the same standards of marginalized writers — who, I repeat, have had to work amid institutional bigotry and higher expectations — is not fairness. It’s just adding to the burden. Which leads to the other reason I said no to the WFC invite: b) Because they keep pulling shit like this. They keep telling us they want to do better, but they show no understanding whatsoever of what inclusivity really requires — and no willingness to make anything more than reactive, reluctant changes.

This is so on point on so many levels.

First, that when marginalized writers do rise up enough that cons and other entities take notice, they get inundated with requests. This can be a good problem to have as a writer in general, and obviously anyone should be falling all over themselves to have Nora at their event – she’s awesome. But she is not the only fantasy writer from a marginalized background that exists.

And though the person who wrote that email to Silvia tries to act like everyone they asked was busy, I’m gonna bet $100 that they didn’t ask all that many people. They probably asked a handful, at best. The same handful that gets the majority of attention from white folks. The same handful who are very busy with these kinds of requests, with writing, with other projects, as Nora said. Meanwhile, there are folks – both up and coming and those who’ve been around for decades – who are ignored, never asked, or dismissed.

Second, Nora phrases this as a question: “…marginalized writers only started getting published in ‘significant’ numbers recently. Whose goddamn fault is that?” It’s clear (to me) that he answer is: entities such as the World Fantasy Convention and Board.

WFC is not the most welcoming of conventions. At times, it’s outright hostile to people and groups deemed not worthy of sullying the convention halls. This pervasive attitude affects everything from who gets reading slots, who gets to be on panels, who gets to decide what the panels are, and who is “allowed” to come once the convention is technically full2. That’s not even getting into who gets to decide which works get awards – the World Fantasy Award is juried and also voted on by the membership and the winners are determined by some mix of the two. How many marginalized people are on that jury each year? And, of those who are asked, how many are in that handful of people always asked and therefore overcommitted?

WFC is an over-expensive convention by design (to keep it exclusive and discourage fans), which impacts marginalized authors far more than their privileged counterparts. Same goes for newer writers.

Awards and convention attendance don’t determine a writer’s career, of course. However, opportunity, exposure, accolades all feed into success. World Fantasy is a gathering of what we now call Influencers – industry professionals or folks who want to be professionals in the field. Those who can get there have more opportunity to meet and get to know these influencers, which can lead to more opportunity and exposure and etc. It’s not the only con, it’s not the most important one, it’s not a make or break situation. Still, it’s certainly part of the problem, and the World Fantasy Board has done little to nothing to change this. As that email shows they’re waiting for another decade to go by before they address this problem.

As I said before, I’ve been in the SFF community for about 20 years now. And this January it’ll be 10 years since RaceFail. Anyone who is involved in this community, especially as a conrunner, who thinks that there aren’t many writers, artists, editors, or agents of color with a long history in this genre is disgustingly out of touch with the books and short stories that have been published, the discussions that have been ongoing for over a decade, and the guest of honor lists of conventions worth attending. That’s not acceptable.

And as World Fantasy has spent the last decade or so giving us all lessons in What Not To Do when putting on a convention (accessibility issues, racist programming, non-existent harassment policies, terrible hotels, the list goes on), my only question is this:

When are we all going to stop giving the Board or each city’s concom the benefit of the doubt? When are you, attendees of WFC, going to stop giving them money? Stop benefiting them with your influence? How many fuck ups is enough? How many broken promises of “we’ll do better next year?” will you forgive?


Footnotes

  1. If you want my unfiltered, immediate reaction? My tweets are not kind, filled with profanity, and are an expression of the rage I feel every time we have to deal with this kind of nonsense, which is almost daily. []
  2. WFC has a pretty low cap for an SFF convention: 750 people last I looked into it. Once they hit that cap there’s a waiting list. It’s been well known since forever that you can get off that list and get a membership even if no one drops out if you’re deemed worthy by whoever is running the convention. []
Originality episode 23

ORIGINality 23: Avoiding Patriarchal Nonsense

In this episode I talk about my research trip to Egypt but first I delve deep into my life story to explain how it is I came to be writing a novel set in ancient Egypt in the first place. I’ve been researching Egypt for various projects since college, and the roots go even deeper than that. I talk about it all, including how The Patriarchy shapes what we understand about the past and how I’m looking to change that.

You can listen to the podcast below or on the episode page where you can see the show notes and also subscribe.

compilation of images from Sirens

I Spent Two Weeks Attending Two Women-Focused Geek Cons And It Was Pretty Awesome [Repost]

Five years ago I attended my first Sirens conference. The theme: Reunion. In a couple of weeks I’ll be back at Sirens teaching and sitting on a panel. The theme this year? Reunion. <3

I love the fact that when I started going to SFF conventions there was one prominent and overtly feminist convention (WisCon) and now there are multiple conventions that center women SFF writers and women readers. This is why I was excited to go to Sirens the first time and even more excited to go to GeekGirlCon that same month. On the very next weekend, even.

My feelings about GeekGirlCon are more complicated, five years on. Sirens has just gotten better. Both cons give women and people of all genders the chance to experience what it’s like when a con centers women and their voices and their contributions. Both help make the space for other conventions and gatherings to do so. And after the past month? Hell, past three years? This is needed.

Earlier this week I found out that the media company that owned xoJane deleted the entire website. I went and saved all my posts, and in doing so re-read the piece below. It was my first for xoJane, and I’m still proud of it and also still find it relevant for the commentary on Sirens, GeekGirlCon, New York Comicon, PAX, and other SFF conventions. So I’m republishing it here on my blog.

Click here to read the whole thing.

Daily Writing Exercises - NaNoWriMo Edition

Daily Writing Exercises – NaNoWriMo Edition

Practice and warm-ups are fundamental to every artistic discipline, from the musician who practices scales for hours on end to visual artists who cover reams of paper with sketches to dancers and actors who rehearse for months. Practicing craft is important for writers, too. Especially when you’re about to write 50,000 words in 30 days.

Doing one 10 – 20 minute writing exercise every day before diving into your novel can help kick your brain into creative gear without pressure and give you the chance to try out new craft skills.

That’s what this course is all about. Starting November 1, you’ll get a writing exercise via email every day for a month. Each one is designed to get you warmed up and also to help you get to know your characters better, dig into details of your setting, and play around with voice, point of view, and other aspects of craft.

Sound good? Register Now or keep reading for more details.

All the deets.

Sunspot Jungle cover

Celebrating the Equinox (an excerpt from The Copper Scarab)

The autumn is upon us, and it’s time to celebrate the harvest and wave goodbye to summer ~sniff~. I try to mark the quarter days (equinoxes and solstices) with something special. And there is stuff to celebrate! Those of you who backed the Sunspot Jungle Kickstarter should be getting your hardback copies of the book very soon! The paperback and eBook editions will be out on December 1 (and are already up for pre-order!).

I have a story in volume 1, a reprint of my Pyramids and Punk tale The Copper Scarab. When I was writing it I had this vision of how I wanted the last section of the story to go. I knew the sphinx at Giza would be involved, but needed some other element to make it all click. I went poking through all my research files and found an article I’d saved talking about the connection between the sphinx and the eastern horizon and the timing of the inundation of the Nile (which is a plot point in the story) and everything fell right together into this passage below.

This is from the last section of the story but does not include the end. It’s minorly spoilery, but I doubt the reading of it would be “ruined” for you if you read this.

Excerpt: The Copper Scarab

In the darkness before dawn on the equinox, Khemetans who came from across the delta and White Fortress region gathered around the base of the Great Lioness. Their voices quiet, reverent; their bodies newly wet with water from the still anemic Nile. They sat with eyes trained on the eastern horizon. Like the giant stone Lion of the Horizon, their faces would greet the dawn directly on the day marking the beginning of the harvest season. Most of them tried not to think about how poor that harvest would be this year, just as last year, and possibly all the years to come. Instead, they waited for the life-giving rays of the sun to warm their skin and remind them of the first eternal truth: Everything changes, but the dawn always comes.

Half a shade after the sun disk pushed fully over the horizon, the Lioness seemed, impossibly, to shudder. Sounds emerged from under the ground that ricocheted around the still quiet crowd–vibrations that didn’t make sense.

They had begun to murmur when the copper scarab emerged from the sand between the stone paws, hissing and clicking and gleaming in the sunlight. The people’s silence held for one breath, two, before everyone reacted at once. Amatashteret watched from a short distance as some scrambled away in fear, some fell to their knees in shock or in reverence, and some ran to get a closer look. The engineers surrounded the scarab, lifting the copper wings to the right position and ensuring the steam pressure stayed at the right level. Once they gave the ready signal, she and the other chariot riders rolled past the machine, heading into the desert and upriver toward the capital.


Pre-order Sunspot Jungle to read the whole story.

Originality 22: I Am Hugely Motivated by Spite with Kelly Sue DeConnick

Originality 22: “I Am Hugely Motivated by Spite” with Kelly Sue DeConnick

For this episode I got to interview Kelly Sue DeConnick, writer of the Bitch Planet and Pretty Deadly comics, among many others. We talked a good deal about collaboration, especially in the world of comics, but my favorite bits are where she talks about the creative tools she learned while working in television and how she brought them over to her comics process. And, as the title indicates, we talked about how spite can be a good motivator for creating amazing art. Aleen and I had a great conversation around these and other aspects of the interview, and you should listen to the episode to hear it all :)

You can listen to the podcast below or on the episode page where you can see the show notes. Comments are always welcome!

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Goth Rose

Story Notes: August Patron Fiction

Sometimes inspiration comes from unexpected places.

Earlier this week I took an out of town friend up to the International Rose Test Garden here in Portland. In the Shakespeare Garden area we sat to chill and my friend, Shveta Thakrar, read to me from a book of faerie stories.

One of the stories she read was The Lothian Farmer’s Wife, a tale I hadn’t heard before.

The wife of a farmer in Lothian had been carried off by the fairies, and, during the year of probation, repeatedly appeared on Sunday, in the midst of her children, combing their hair. On one of these occasions she was accosted by her husband; when she related to him the unfortunate event which had separated them, instructed him by what means he might win her, and exhorted him to exert all his courage, since her temporal and eternal happiness depended on the success of his attempt. The farmer, who ardently loved his wife, set out on Hallowe’en, and, in the midst of a plot of furze, waited impatiently for the procession of the fairies. At the ringing of the fairy bridles, and the wild, unearthly sound which accompanied the cavalcade, his heart failed him, and he suffered the ghostly train to pass by without interruption. When the last had rode past, the whole troop vanished, with loud shouts of laughter and exultation; among which he plainly discovered the voice of his wife, lamenting that he had lost her for ever.

When she finished I said: “It’s a reverse gender Tam Lin except, when a man has to do the bold brave thing, he fails. This is why men ain’t shit.” And we had a hearty laugh.

Then I kept thinking about the story, and about Tam Lin, and about how I have never thought that dude was all that great despite really loving some arrangements of the ballad, such as my favorite one by S.J. Tucker1:

The more I thought about how the people in this story might have known the people from the Tam Lin ballad and how Tam was probably not the best husband a Janet could ask for, the more I started to spin a backstory on why the wife got taken and then the first draft of this month’s microfiction poured right out of me.

It is, as some of you are aware, not all that micro! It’ll likely get a bit shorter once I polish it and send it out into the world for publication. Patreon patrons get to read it right now.


Footnotes

  1. P.S. You can buy the studio version of this track, which is excellent, on Sooj’s website []
Onyx Pages booktube

Watch My Interview on the ONYX Pages Booktube Channel

Back at WisCon I met a wonderful Canadian booktuber named Njeri whose YouTube reviews of books and interviews with authors are a delight. You should definitely subscribe after you finish watching this interview she did with me. She got me talking about social justice and art, spirituality and the role of the artist, Black Panther, Afrofuturism, and my own work.

Cultural Appropriation What It Is and How To Avoid It

New Webinar: Cultural Appropriation – What It Is & How To Avoid It

My next class for Writing the Other is a one day webinar on Cultural Appropriation. A topic that continues to be fraught and also continues to attract opinions on the subject that are wrong-headed, maddening, and just plain dangerous. Hopefully this class will alleviate some of those problems.


When: September 9, 11AM – 2PM Eastern (Click to see when this happens in your time zone)
Where: Online via Zoom meeting  (video only registration option available)
Price: $50

Most writers want to avoid Cultural Appropriation but worry that they don’t fully understand what it is or how to ensure their work does not include it. They wonder what the difference is between appropriation and exchange or between appropriation and influence. And they hope avoiding cultural appropriation doesn’t mean only writing stories about people from their same race, culture, or ethnic group.

In this 3 hour webinar, authors Nisi Shawl and K. Tempest Bradford will offer concrete answers to those questions and a set of resources to help authors navigate these tricky waters. The webinar includes two short lectures and a lengthy Q&A.

For all the details, including information on scholarships, or to register, go to WritingtheOther.com.

Originality 21 Irrational Brain Weasels with comic by Dr Jane Charlesworth

ORIGINality 21: Irrational Brain Weasels

Yes, it’s been a while since a new episode of ORIGINality aired and we talk about some of the reasons for that IN this episode. Dealing with being a creative person while also having major life changes plus also dealing with neuroatypicality sometimes means you don’t get shit done even when you want to and even when you enjoy the things that need getting done. Brain weasels, man. They are jerks. See?

attack of the brain weasels comic by Dr Jane Charlesworth

Comic by Dr Jane Charlesworth, @janepipistrelle on Twitter. She knows what’s up.

Anyway, you can listen to the podcast below or on the episode page where you can see the show notes. And please, please, please do leave a comment here and let me know what you think of this ep.

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