BOMB magazine

Originality #14: Interconnected Art

This was the first episode recorded while I was at Surel’s Place. I talk a wee bit about the residency, but the majority of the ep is about how cross-pollination is essential to creativity. We get into it in terms of art, writing, music, of course, and also technology.

I mentioned the auctions we did to support the Interfictions anthologies and doing so made me long for the days of putting together artists and artisans with pieces of fiction and watching what happened. I also had an idea for the Interstitial Arts Foundation that we should try to foster this kind of thing on a consistent basis. If I had the time, if all the volunteers had more time… man.

Maybe I’ll make time at the end of next year when things calm down a bit.

Until then, you can listen to the podcast below or on the episode page where you can see the show notes and also subscribe.

Dearest Readers, Do You Knit?

Do you knit? Do you know someone who knits? Are you planning to knit something for a loved one this holiday season? Then go, right now, to IAFAuctions and bid on this yarn. It is knittable and it is fancy and awesome. It must needs be knitted into something cool and I demand that people fight over it in the few hours it has left before bidding ends. This yarn is one of the most interstitial pieces of art I’ve ever, ever seen and it must go on to the next state of its evolution! Bid. Now. Shoo!

Interfictions 2 Auction: My Favorites

This is my non-short and non-silly post about the Interfictions auction.

For those of you kind of new to my blog, I’m a member of the Interstitial Arts Foundation, an organization dedicated to promoting and encouraging art and artists that exist outside of or between borders. I’ve been a fairly active member for a while, mainly because I once expressed a bit of interest and Ellen Kushner pounced on me. I am forever within her paws, but that’s okay because she is one of the more fabulous human beings on the planet, as is her wife Delia Sherman. So it’s all good.

I was lucky enough to have a story picked for the first Interfictions anthology. Then about a year later I organized an auction of jewelry based on the stories in Interfictions. It went so well that we immediately began brainstorming ideas for how we’d run the auction for the next volume of Interfictions. This time we opened it up to all manner of art, as long as it was wearable, portable, or at least easily mailable. The call went out, some free stories were distributed, a little over 40 artists took on the challenge and now we have just over 30 pieces of art to show for it.

The auction has been going on for a couple of weeks now. Sorry I have not posted about it before this. Like I said yesterday: awesome, but busy job. The pieces that are no longer available were beautiful and amazing, but there is definitely still time to bid on some awesome pieces.

You should go take a look at this gallery with images of everything, but I am going to walk you through my favorites.

Shatterglass Datakey is ending today (in about an hour, actually) and I wanted it then Ellen Kushner tried to take it from me then my friend Charlotte came along and tried to pretend like she was going to win it. I’m going to be evil and bid at the last minute. If you are evil, maybe you should as well. It’s a pendant that is a key that is wrapped in wire and beads that have writing on them and, people, it is awesomeness squared.

Everybody Knows is a hunk of handmade yard that incorporates bits of paper with the story it’s based on (Valentines by Shira Lipkin) printed on it. You need to just click here and read the artist’s statement, as I cannot do it justice. I really like this piece, but I kept wondering if it would be possible to actually DO something with that yarn. Like knit it into a scarf or something. So I asked the artist, the faboo Emily Wagner, and she said:

You can TOTALLY knit with it. I mean, the paper is going to be falling out, but the yarn itself should be pretty structurally sound. I soaked it and stretched it on my swift when I was done skeining it up, which took FOREVER, BTW. :) I think it would be a really cool textural scarf, with lots of dropped stitches to show it off.

And here’s the thing: whatever anyone makes from this yarn, it will also be interstitial art. And the fact that the bits of paper will fall away adds this layer of transience to it. Like, no matter what, the Valentines will continue to fall away, until all that’s left is the memory within the yarn itself, in the person who made the yarn, and in the person who knitted it. There are just so many layers of meaning inherent in this art — layers that reveal themselves over time — that I can’t believe more people are not bidding on this. If you knit, you must bid. Then you must show us all what you knit. I’ll post about it on the IAF’s blog myself.

The Animometer is a piece everyone always gasps over when they see it. I have an affinity for art made from the bones of objects, and who doesn’t love an antique pocket watch?

The Child Empress of Mars (doll). When I first opened the box this came in I was both entranced by its beauty and shocked by its alienness. As I’ve said elsewhere, this is probably the most evocative and striking piece in the auction. It’s visceral and perfectly embodied the story and beautiful but also makes you want to run away screaming. Can you imagine having this in your living room in a place where everyone who comes in would see it? That would be so awesome. I have no hope of owning it, but that doesn’t mean you shouldn’t try.

Untitled is just a beautiful picture depicting a really, really strange scene. I love the colors, the way the brain is glowing but entrapped by and connected to all of those branches. It’s going up in a few days and is definitely on my want list.

I will post more favorites next week. In the meantime, you should go check out the auctions and this preview of all the pieces. There’s clothing and jewelry and funky barely classifiable items of amazingness. Also, if you have not already, you should check out the Interfictions 2 anthology. I’m lucky enough to have read all of the stories and can tell you that this antho is just as good as the first. My homie Alaya Dawn Johnson has a fantastic story within and my other homie Genevieve Valentine has a story in the online annex to the anthology. Eight stories that were so good that Delia and Chris (the editors) couldn’t bear to not buy them, so they published them online. You can read them for free.

Next week I will also probably post something about comparisons between pieces of art based on the same stories. It’s always cool to see different interpretations and which parts of the story speak to each artist.

Readercon

Readercon

I’ll be attending Readercon in a couple of weekends and this time I’m on a bit of programming. If you’d like to find/stalk me, here’s the deets:

Friday, 3PM — VT: Interfictions 2 Group Reading
Delia Sherman (host) with Amelia Beamer, K. Tempest Bradford, Matthew Cheney, F. Brett Cox, Michael DeLuca, Jeffrey Ford, Theodora Goss, Alaya Dawn Johnson, Shira Lipkin, Rachel Pollack, Catherynne M. Valente, Genevieve Valentine
Readings from Interfictions 2: An Anthology of Interstitial Writing, edited by host Sherman and Christopher Barzak and forthcoming in the fall from Small Beer Press under the auspices of the Interstitial Arts Foundation.

Friday, 5PM — Salon E: Off Color
K. Tempest Bradford, David Anthony Durham (L), Eileen Gunn, Anil Menon, Cecilia Tan
At various sf conventions, we’ve been to more than one panel during which the panelists try to figure out why there seem to be so few writers of color in the field. As an alternative, we have invited several panelists to discuss what an sf field more enticing to writers of color might look like.

Friday, 8PM — ME/ CT: Annual Interstitial Arts (IAF) Town Meeting
Ellen Kushner with discussion by Liz Gorinsky, Theodora Goss, Alaya Dawn Johnson, Shira Lipkin, Delia Sherman, John Shirley, Sarah Smith, Catherynne M. Valente
Note: I’m not officially on this but will be there talking about the auction and salons and such.
Interstitial Art falls in the interstices of recognized genres. The Interstitial Arts Foundation is a group of “Artists Without Borders” fighting the Balkanization of art. They celebrate work that crosses or straddles the borders between media, the borders between genres, the borders between “high art” and popular culture. They are not opposed to mainstream fiction or genre fiction, nor are they seeking to create a new category. They are just particularly excited by border-crossing fiction (and music and art), and want to support the creation of such works and to establish better ways of engaging with them. The IAF has had a presence at Readercon from its beginning. In 2007, in cooperation with Small Beer Press, the IAF published Interfictions: An Anthology of Interstitial Writing edited by Delia Sherman and Theodora Goss, and in fall 2009 they will present Interfictions 2, edited by Delia Sherman and Christopher Barzak. They are also doing a lot with visual arts. Interstitial Arts is an idea, a conversation, not a hard-and-fast definition-and it’s a conversation you are invited to join.

Saturday, Noon — VT: Federations Group Reading
John Joseph Adams (host) with K. Tempest Bradford, Robert J. Sawyer, Allen Steele, Catherynne M. Valente,
Genevieve Valentine

Sunday, 11AM, Maine/Connecticut: The Future of Magazines, Part 2 (Online) — (part 1 is at 10AM)
K. Tempest Bradford, Neil Clarke, Robert Killheffer, Mary Robinette Kowal (L), Matthew Kressel, Sean Wallace
Are print magazines doomed? (Heck, if newspapers can’t make it …) Or will they survive in their tiny niches? Are there ways to make them more viable? Is that even worth the bother? After all, online magazines are now easy and relatively inexpensive to start — are they the answer?

Interfictions Auction & Music Project

Interfictions Auction & Music Project

I know I mentioned the Interfictions Auction here a while ago but there have been some new developments which allow me to mention it again. I’m tricksy.

First thing is to remind people that, though this auction is mainly to benefit Interfictions 2, we’re accepting creations based on stories from the first anthology, too. We’re not offering to send free stories, but you can always buy it (tricksy!).  If you’re interested, let us know here.

Second thing is that we have a separate but related initiative: The Interfictions Music Project. Since auctioning music doesn’t make much sense, we’re going to sell music, instead. Same deal as with the auction: musicians can base songs or mixes on any story from Interfictions 1 or 2 (they can request an advance story from IF2). We’ll sell the music as downloads during the auction. If we get enough, we’ll create an EP or LP. More details and sign-up form is here.

Click and pass it on!

Merry Month of May

At WisCon I was able to quietly sneak away with a copy of the latest Electric Velocipede (issue 17/18!). I was super excited to see it because my story Enmity is contained within. There are also stories by many friends of mine, including two other Altered Fluidians: Mercurio D. Rivera and Matthew Kressel.

I saw John Klima during his brief appearance and got to hug him a lot. Then on Sunday I wore The Shirt. You know, this shirt:

I have it on good authority that The Shirt moved many copies of the zine. (Also, if you are a fan of EV or of shirts or of me, you can get The Shirt on Zazzle and support the zine in the process.)

This May has been especially awesome for me because I had stories in a book and two zines come out this month. Federations, Sybil’s Garage 6, and Electric Velocipede 17/18 — and all of them were available in the dealer’s room. There were also many copies of the Interfictions anthology and all three WisCon Chronicles! I’m in each, and the newest one is especially spiffy with a fantastic cover. Liz Herny is a goddess.

I was feeling very fancy having so many things in the room with my stories and essays in, so I took pictures:

WisCon 33 Dealer's Room of Me - Federations WisCon 33 Dealer's Room of Me - Sybil's Garage

WisCon 33 Dealer's Room of Me - Electric Velocipede

WisCon 33 Dealer's Room of Me - The WisCon Chronicles WisCon 33 Dealer's Room of Me - Interfictions

So I encourage you to order your copy of Sybil’s Garage if I didn’t force it ony ou at WisCon, to buy Federations and WisCon Chronicles vol. 3, to check the Electric Velocipede blog to see when the latest issue will be available for ordering (the copies at WisCon were special advance ones — contributors and subscribers should get theirs soon), and to read, read, read, not just my stories, but all the fabulous stuff in these offerings. May 2009 is a month of awesomeness.

Busy Day in the Betweenisphere

Busy Day in the Betweenisphere

Lots to do!  Firstly, you should travel on over to the IAFAuction site and bid on some stuff.  There’s plenty of stuff!  Yesterday two new auctions went up, a jewelry set and a necklace.  We only had one set sent to us for auction, and it’s really awesome.  The earrings are worth the opening bid alone!  Like, go grab that and some stuff.  The necklace is by Leslie What… yes THE Leslie What.  What more reason do you need?

Also, the auctions for Willow Pattern & And Then She Flew end soon.  Not to be pushy or anything, but that necklace based on my story is so super awesome that the bidding should go higher.  It’s based on my story, how can you not want to pay hundreds for it?  And Willow Pattern is an original Elise creation!  Even if you were to bid $80 for it you’d still be getting it for significantly less than if she just sold it.  So go bid $80!

And after all that hard selling, here’s something fun.  The third Interstitial salon started today. We’re talking about jewelry as art and as interstitial art:

We’ll be talking about creating visual art inspired by texts, about the relationships between narrative and wearable art, the cultural history of personal adornment — anything we can think of!

The conversation has already started, so join in!

Shiny Shiny Shiny

Because I was so involved in setting it up yesterday, I neglected to post here about the auction of jewelry based on Interfictions stories. From the press release:

Interstitial artists and admirers of Interfictions have come forward with some truly stunning pieces based on Interfictions stories by Matthew Cheney, Catherynne M. Valente, Jon Singer, Veronica Schanoes, and Colin Greenland. Participants include artists Elise Matthesen, JoSelle Vanderhooft, Mia Nutick, Kris McDermott, and many more.

And, most remarkably, some of the authors themselves have created unique pieces based on their own work! Keep an eye on IAFAuctions.com to see wearable interpretations of their own work by Interfictions authors Leslie What, Rachel Pollack, and K. Tempest Bradford.

I like that term: wearable interpretations Ellen Kushner came up with that!

So far a piece by JoSelle based on the Valente story and a piece by Sarah based on Cheney’s story are up. And today I posted a preview of stuff to come.

And yes, it’s true that I have something going up, too. I have been trying to come up with something for months. Months! But then I saw this gorgeous piece based on “Black Feather” (which is, can I just say, so amazing to see something beautiful that was inspired by something I did. So cool!) and was inspired myself. I don’t know if my idea will pan out, but here’s a sneak peek of the earrings I am making called “Inwood Hill”:

Work In Progress

I want to add one more chain, but I’m afraid of making it too heavy. But then I use pretty light materials on there — very light/hollow glass beads, coral, tiny Jasper beads that weigh very little. There will also be a black feather hidden in there somehow. What do you guys think?